by Donna Tartt
This book, the 2014 Pulitzer Prize winner, has been on my To Read List for a while and I kept putting it off because it’s so long, plus, if you’ve read my blog, you know about previous Pulitzer experiences with Pulitzers and a bad taste they’ve left in my mouth (See A Visit From the Goon Squad and Angela’s Ashes). I should keep a score somewhere of the Pulitzer likes and dislikes that are kindof becoming a thing for me.
I listened to The Goldfinch as an audiobook. It was wonderfully narrated by actor and director, David Pittu, who won an Audie award for his voice talent on this book. He voiced foreign accents and different characters so wonderfully. You could easily tell one from the other and weren’t distracted by the changes. It was 32 hours but I listened to it at 1.8 times the normal speed and finished it in a week. It had some really dark parts and the characters, especially the main character, struggles with heavy issues, drug addiction, and devastating loss.
It was 32 hours long (that’s over 800 pages), but I listened to it at 1.8 times the normal speed and finished it in a week. I started it at 1.2, then ramped it up slowly to 1.5, then 1.8. After listening to it for a while, it seemed like normal speed to me and normal seemed like molasses dripping on a turtle in a rush hour traffic jam.
It had some really dark parts and the characters, especially the main character, struggles with heavy issues, drug addiction, and devastating loss. Theo Decker loses his mother in a museum bombing in New York when he is thirteen years old. During the bombing, he meets a man and a girl and steals a painting, The Goldfinch by Carel Fabritius. This brief encounter has resounding repercussions. It’s a terrible age to lose a parent, especially when his father is a jerk and is nowhere to be found. The story travels through Theo’s adolescence spent struggling with this loss and loneliness, self-identity and choices. Fascinating people enter his life during this time and are with him for the rest of his life, for good and bad. Andy is his childhood friend, wealthy, nerdy and knowing. Boris is a charming, reckless nomad. These two vastly different boys have a powerful
The story travels through Theo’s adolescence, spent struggling with this loss and loneliness, self-identity and choices. Fascinating people enter his life during this time and are with him for the rest of his life, for good and bad. Andy is his childhood friend, wealthy, nerdy and knowing. Boris is a charming, reckless nomad. These two vastly different boys have a powerful effect on Theo.
Through the worlds of New York socialites, art dealers, and international criminals, from New York, so important, it’s a character in itself, to Las Vegas, to Amsterdam. The painting really exists. In fact, many works of art are mentioned in this book. Here is a wonderful article about the works mentioned in the novel. There’s also a Pinterest board.
I loved the characters. Boris is fascinating, the bad boy, bad influence that you love anyway and trust, though you don’t want to. And Hobie, so dear and wise. The story made me cry. It held me in suspense. I couldn’t stop listening. I was fully immersed.
I think it would make a GREAT movie, which is already in the works from Warner Brothers. It will be directed by John Crowley, the director of Academy Award nominee Brooklyn, also a great book. It needs the right script, of course. Someone suggested Nicholas Hoult should play Theo, and, wow, that seems exactly right. He’s got a good mix of vulnerable, attractive, young yet worldly, naive but addicted.
I don’t know why I think if someone is an addict, they have more world experience… more grittiness. This is a flawed view. Addicts can be naive emotionally. Addicts can even be wholesome as Theo sometimes seems. In essence, addicts are no different than anyone else except they are controlled by a terrible need. And sometimes that need makes them do terrible things.
So anyway…Nicholas Hoult??
PopSugar has some fun suggestions for casting, too. Jeff Bridges as Hobie? I don’t know about that. I was picturing more tall and skinny but Bridges is a master. There are some actors who can be anyone. The most interesting suggestion is Ezra Miller as Boris. While, I’m not sure about that… He’s definitely got the not dirty/dirty hair thing going on.
This book really made me think. I’m still thinking. I probably will for a long time. The ending was cathartic in that it wrapped up well for Theo but it wasn’t all roses and puppies. It was a dark view of life, that we’re just here to suffer through it. I don’t believe that at all but I respect that someone who has had a different experience than me, someone like Theo, feels that way. It makes me wonder what happened to Donna Tartt. I will definitely read some of her other books. Have you read any of them?
A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.”
This really struck me. The whole book culminates to this point. We can choose how we act, how we respond, what we show the world, but we can’t choose what we love, what drives us deep down or what we desire. Sometimes those things are not the best thing for us, or the good thing or the right thing.
I’m so lucky and blessed that I’ve had the life I have and, more than anything, have the outlook I have – to always choose to be happy and make the best of everything. I’m so lucky I never became addicted to anything worse than chocolate and cycling (that should have been the name of my blog). I have friends and family members who are alcoholics and addicts who make terrible decisions. It’s so frustrating to watch, yet it’s so human of them. I’m not saying I’m perfect, I’m certainly not, but I’ve made a lot of safe choices, taken another path when friends jumped off the cliff. This book made me appreciate those choices for myself and also understand the choices they made.
Rating: 5 of 5 stars
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